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When he arrives on Neal's Island to begin ten days of intensive group therapy to treat his obsession for a woman he cannot forget, he brings with him the pseudonym of Bloodworth. Vastly different as individuals, yet suffering the same crippling malady of obsession, five men are not prepared for the antics of Dr. Carson X. Willingham. He is maverick and madman, a brilliant investigator of his subjects, a mesmerizing performer, and either a genius or a charlatan with a rare gift of persuasion. Willingham is also a man with his own demons, caused by his own history of obsession. It is in this environment that Bloodworth finds himself faced with the delicate question of honesty as he tries to free the memory of his Kalee, and begin his new journey into the uncertainty of what might be. This book also available in e-book format through Amazon, Barnes and Noble, and Kobo.

John Updike once wrote that many of his works are "illustrations of Kierkegaard," and yet no current study provides an extended, convincing reason why this is so, why Updike came to live by Søren Kierkegaard's ideas. This study does, telling the story of Updike's life-altering encounter with Fear and Trembling in his early career, and tracing the subsequent evolution of Updike's complex and coherent theology.

Blessed with an innate optimism and a magical childhood, Elisabeth Belle Sterling discovers that the path to happily-ever-after love is not as easily obtained as she had always imagined. The Camelot-like love she longs for seems like only a dream until she meets the handsome Kincaid Patterson, a West Point graduate who carries a dark secret from his past. Theirs is a passionate and unconditional love that has to confront a painful past, heart-searing separation, and the greatest of all tragedies. But the biggest obstacle is the loss of faith that threatens to undermine all that they have. Set in the South during the 1960s and 70s against the backdrop of the Vietnam War, Save My Place is a beautifully written love story of two people who search deep within their souls to save each other. This book also available in e-book format through Amazon, Barnes and Noble, and Kobo.

For more than seventy years, beginning in 1939, when he penned his first play, Wharton Dance, Horton Foote was regarded as one of America’s most revered dramatists. With his probing and perceptive dramas, he succeeded in charting the landscape of small-town America while creating classics of modern theatre and film that have found devoted audiences around the world. Foote wrote more than a hundred plays and screenplays for cinema, theatre, and television, and was equally successful in all three mediums--a record of variety and productivity unmatched by any other writer. With a foreword by Hallie Foote, this biography is the most thorough and comprehensive to date of American dramatist Horton Foote. Drawing on the author's complete access to Foote's personal papers and extended conversations with the writer, his family, and his friends, Marion Castleberry discusses all the important aspects of Horton Foote's life and career--his Wharton, Texas childhood, his devotion to family, his deep Christian faith, his abiding passion for the theatre, and his successes as a screenwriter and independent filmmaker.

Rodney Earwood and Palmer Cray had been best friends for as long as either could remember. They were brothers in all but the genetic sense, each born late in the lives of good women who had given up on the dream of motherhood by the time their respective miracles occurred. They wandered the hills of North Georgia, hunted the pine woods, fished the cool, green streams, and camped under the stars. They shared each other's clothing, each other's families, and each other's homes. They grew into tall young men, and on a hot May afternoon right after they turned eighteen, they both graduated from Sweetwater High School, numbers seven and eight in the crooked, sweaty line that held a class of thirty of Sweetwater's finest. Shortly thereafter, Rodney and Palmer flew a Camaro into a tree, Palmer flew into a haystack, Rodney flew into the great beyond, and nothing in Sweetwater was ever the same again. This book also available in e-book format through Amazon, Barnes and Noble, and Kobo.

Former United States Attorney General Griffin Bell, a partner with Robert L. Steed in the prestigious Atlanta law firm of King & Spalding, once described Steed as "half lawyer, half wit. His law partners insist he's a writer, and his writer friends insist he's a lawyer." In fact, Steed built an enviable career in both fields. A graduate of Mercer Law School, Steed became one of the nation’s leading bond attorneys during an era of rapid economic development. All the while he wrote humorous essays that were published in the Atlanta Constitution and collected into books; his barbs were targeted at the vainglorious in politics, entertainment, and society, always imploring them, "Don't take yourself so damn serious." That attitude also served Steed well as a member of the Mercer University Board of Trustees from 1974 till the present. His insight, humor, and love of Mercer helped him to guide the university, as chairman of the Board, through some tempestuous times. Long-time Mercer President Dr. Kirby Godsey said, "I can honestly say that Mercer never had a more loyal alumnus than Bob Steed." Greatness often sprouts from modest roots, and such was the case with Steed. Shared here for the first time is the story behind the persona--the family, wife, wit, and commitment that coalesced to form an extraordinary scholar, writer, and philanthropist.

In her tenth collection, Catharine Savage Brosman's singular voice is heard again as she develops themes featured in her earlier work and adds new ones, displaying her full range of poetic craftsmanship and style and, as one critic wrote, using "metaphors brilliantly fitted in detail to the moods and workings of the human heart and mind." A prefatory poem, "To Readers," uses the figure of trees to emphasize the truth, beauty, mystery, and autonomy of poetry. Yet it is clear that in Brosman's work the art of verse is closely connected to human experience, the very feel of which comes through in the poems that follow.

Death, and the Day’s Light, the volume of poetry James Dickey was working on when he died, offers the writer’s final views on love and death, fathers and sons, and war and resurrection. This volume constitutes an invaluable addition to the canon of a major American poet and allows for a complete understanding of his oeuvre.

William Wright’s eighth collection of poems is an expansive personal journey that includes poems about subjects as varied as a farm woman forsaken by her husband, yellow jackets, insomnia, a mountain witch, salt marshes, a ditch filled with rainwater, and even a post-apocalyptic portrait of the last person on Earth. Beginning with “Prologue,” a piece that embeds a kaleidoscopic, novel-like vision of a small agricultural town and a few of its inhabitants, these poems capture the exterior world and recontextualize its many forms through a dreamlike logic, harnessing radiant imagery and strong aural texture through lines and words that stir both mind and heart. Here, Wright reveals how the most luminous forms often dwell in even the darkest subjects and images.

A unique blend of memoir, literary appreciation, and travel narrative, Reading Life is a series of interrelated essays tracking the relationship between books and experience, dramatizing and reflecting on how stories lead us into the world, and how we transform that engagement with the world back into personal narrative.

Moving and filled with unexpected ideas and imagery, The Color of All Things is a love letter from one man to one woman, but it offers love from each of us to all of us. Brimming with a touching and generous joy, this is a book of everyday needs that can only be filled with a genuine and lasting love. This is the third volume of poetry from Philip Lee Williams, following on his Elegies for the Water and his national book of the year (Books and Culture magazine) The Flower Seeker: An Epic Poem of William Bartram. Like his other volumes of poetry, The Color of All Things moves slowly through the natural world without sentimentality but with surefooted grace and lovely rhythms. Georgia poet laureate Judson Mitcham says that in Williams’s poetry we hear “the distinctive voice of a poet who knows how to tell the stories that matter, how to hold still and take a good look at the natural world and let himself be filled with praise, a poet who knows how to find the right prayer and how to pray it.”

Good ole boy Dickie Frye vanishes from the Georgia hills and the urbane Fletcher Carlyle bursts onto the New York publishing scene, winning the Nobel Prize for literature. But when a psychotic rampage lands Carlyle in Weatherhaven, eminent psychologist Anton Kohl finds himself talking to Dickie Frye. Kohl’s instincts tell him Frye is not lying—but what he says can’t possibly be true. A fallen priest comes out of Sumerian mythology, the love of Kohl’s life comes out of his past, and a chicken comes out of a posh apartment on Central Park West to meet his fate. Anton Kohl’s carefully constructed world is about to be deconstructed.One part fable and one part Southern yarn, Kiss of the Jewel Bird soars from ancient Mesopotamia to modern-day Manhattan, rewriting history and opening a window onto a wider, more magical world, where the path to destiny is anything but straight.