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By author: Jolly Kay Sharp
Product Code: H835
ISBN: 9780881462630
Product Format: Hardback
Availability: In stock.
Publisher: Mercer University Press
Price:  $35.00
Qty: Add to Cart   

Recognizing personal tendencies and developing literary talents enabled Mary Flannery O'Connor to don multiple masks, concealing or revealing segments of herself as she desired. With no memoirs or lengthy autobiographies, O'Connor's published works, letters, and manuscripts, along with previously unpublished letters, are examined to determine how O'Connor defined herself, not just how scholars interpret her life and works. In fact, the plethora of criticism is in danger of obscuring the most important authority: O'Connor herself. Carl Jung claimed that adopted personas allow people ways to conform to society acceptably. While O'Connor's personal and social masks were affected by her Southern and Catholic roots, her vivid imagination and artistry fashioned her literary masks, allowing her to explore life's grotesqueness. Some of O'Connor's literary characters shelter self-defining features of her own personality and purpose. O'Connor's masks serve as metaphorical embodiments of her veiled autobiography, illuminating key components of her sense of self and of her literary power. Sharp's exploration of these society-obligatory and self-imposed masks identifies O'Connor's goals, struggles, and successes; her critical insight into her own literature; her reaction and responses to family, friends, and acquaintances; and, ultimately, her own success and growth.
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Reviews

Review by: Craig Amason, Andalusia, Home of Flannery O'Connor - September 16, 2011
Jolly Kay Sharp keenly examines how O'Connor shifts her perspective according to influences, relationships, and her personal journey. O'Connor's maturation as an artist is thoughtfully considered as Sharp reveals the depth and complexity of this great writer's craft.
Review by: Marshall Bruce Gentry, Professor of English, GC&SU and Editor of the Flannery O'Connor Review - July 29, 2011
Flannery O'Connor is a mystery, and Jolly Kay Sharp clearly demonstrates that there are many Flannery O'Connors. For all her firmly held convictions, O'Connor displays different selves through-while also hiding behind-a variety of such grotesque alter egos as Enoch Emery, Rufus Johnson, and Hulga/Joy Hopewell. Sharp entertainingly reveals O'Connor to be more religious, more southern, more intellectual and individualistic than O'Connor wanted us, at least at first, to realize.
Review by: Tom Frazier, Professor of English, Department Chair of English & Foreign Languages, University of the Cumberlands - July 29, 2011
Every reader of Flannery O'Connor has an opinion about her work. In "Between the House and the Chicken Yard": The Masks of Mary Flannery O'Connor, Jolly Sharp takes the reader behind the Jungian masks O'Connor freely but intentionally uses with such personalities as Hulga and Haze among others. Each masked character clarifies a personality trait O'Connor brings to each page. With Sharp's study in hand, every O'Connor reader will go behind O'Connor's many masks and see who she really was.
Review by: Will Brantley, Middle Tennessee State University - July 28, 2011
Scholars have focused on the ways in which Flannery O'Connor was mentored by Caroline Gordon and other writers, but Jolly Sharp is the first to give sustained attention to the ways in which O'Connor herself took on the role of mentor. Drawing from a wealth of previously unpublished materials, Sharp deftly explores the many masks that O'Connor appropriated in her letters and essays-and in the more famous fiction that has made her one of the nation's most celebrated writers.

Goodreads reviews